Marilu Garbi
is a Venezuelan-born filmmaker, journalist, and essayist. Her work—on screen and on Substack—circles around technology, the arts, and the human experience in a rapidly changing culture. As she tries to live an examined life as an immigrant in the US and a mother of two, she often writes about philosophy, spirituality, and what it means to stay awake in turbulent times.
Selected work
Short film, Directed & co-written, 2026
Whisper of Joy
When two burned out roommates in their early 20s, numbed by debt, doom scrolling,
and dead end jobs, hear an irresistible song leaking through their apartment door,
they step outside and spark a spontaneous dance wave that jolts Bonita Springs out
of its digital coma and back into real world joy.
A portrait of two working artists in Southwest Florida, this short documentary invites
them to speak frankly about why they make art, how they survive, and what creativity
means in a changing world. In their studios and in conversation, they reveal the
doubts, joys, and resilience behind the work the public only sees finished on the wall.
Father Nose Best is a comedic short about Leonard, a dentist reluctant to embrace
his clown heritage until the love of his life, his hygienist Samantha, gets infected
with the Non-Laughing virus, which is causing the world to stop laughing. He will
have to return to his clowning roots to find the cure and not only save Samantha
but also the world.
A film production hub I built to wrangle the chaos of an indie shoot, call sheets,
cast & crew, schedules, locations, and notes, all in one place. It's a working
prototype, free for testers, and I'd love your feedback.
Marilu Garbi is a Venezuelan-born filmmaker, journalist, and essayist.
She has acted in, produced, or directed several short films, including
Thinking Out Loud (2017), Roses Are Blind (2018),
In Tango (2019), Father Nose Best (2024),
Oblivious (2024), Dine and Dash (2024), the documentary
Artists Speak (2025), the sitcom Jimmy on the Rocks (2025),
and Whisper of Joy (2026). She serves on the board of UFTA
(United Film and Television Artists), a non-profit that has supported
performers, writers, models, and filmmakers in Southwest Florida for more
than two decades.
She holds a Bachelor's in Journalism from the Universidad Central de Venezuela
and an Associate of Applied Science in Film and TV Production. After two decades
running G&H Printing in Southwest Florida, she returned full-time to her
first training in journalism, now deepened by her passion for filmmaking.
Her work, on screen and on Substack, circles around technology, the arts, and
the human experience in a rapidly changing culture, as well as philosophy and
her attempts to live a contemplative life as an immigrant and mother.